Nov 17 - Dec 4​​​​​​​​

Miller's work is largely concerned with clarity, equilibrium, and the expressive possibilities of vibrant color. She's interested in the implications of totemic signage and the formalities of hard-edged abstraction. This form of abstraction contains a duality: it hides its volcanic energy behind imposed order, and is capable of great emotional variance despite a minimal vocabulary. This is where the art lives: a Mesotopia, in the world but not of it, sympathetic to society and yet unable to abide it.

Recently, Miller has welcomed a softer, more biomorphic imagery into my work, forms and shapes that reference our natural world and our place in it.